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๐ŸŒฟ The Romantic Period (1798–1837)

 ๐ŸŒฟ The Romantic Period (1798–1837)

The Romantic Period (1798–1837) marks one of the most significant and revolutionary phases in the history of English literature. It officially begins with the publication of William Wordsworth and Samuel Taylor Coleridge’s Lyrical Ballads (1798) and ends with the accession of Queen Victoria in 1837. Romanticism arose as a reaction against Neo-Classicism, opposing its emphasis on reason, order, rules, and imitation, and replacing them with emotion, imagination, individualism, and love for nature.



๐Ÿ“œ Historical and Intellectual Background

The Romantic Period was deeply shaped by powerful historical and social changes. The French Revolution (1789) played a crucial role in inspiring Romantic writers with its ideals of liberty, equality, fraternity, and human rights. Initially welcomed with enthusiasm, the Revolution symbolized freedom from tyranny and rigid authority. However, the later violence and chaos also introduced themes of disillusionment and introspection in Romantic literature.

The Industrial Revolution drastically transformed English society by promoting urbanization, mechanization, and factory life. Romantic writers reacted strongly against this mechanical civilization, criticizing materialism and celebrating nature, rural life, and simplicity. The age also coincided with political unrest, social inequality, and spiritual questioning, encouraging writers to focus on the inner world of the individual.


๐ŸŒธ Major Characteristics of Romanticism

  1. Imagination over Reason
    Romantic poets regarded imagination as the highest creative power, superior to logic and rational thought.

  2. Emotion and Sensibility
    Poetry became the expression of personal feelings, passions, and emotional intensity.

  3. Nature as a Living Presence
    Nature is not merely decorative but a spiritual guide, healer, and moral teacher.

  4. Individualism
    Emphasis on personal experience, subjectivity, and the poet’s inner self.

  5. Common Man and Simple Language
    Romantic writers rejected artificial diction and used simple, everyday language.

  6. Interest in the Past and Medievalism
    Revival of medieval romance, folklore, legends, and Gothic elements.

  7. Supernatural and Mysticism
    Especially visible in Coleridge’s poetry, where mystery and the supernatural deepen emotional impact.


๐Ÿ‘‘ Romantic Period and Kings

The Romantic Period spans the reigns of George III (1760–1820), George IV (1820–1830), and William IV (1830–1837). Political instability, war with France, and demands for reform shaped the spirit of resistance and freedom that runs through Romantic literature.



✍️ Major Romantic Poets

๐Ÿ”น William Wordsworth (1770–1850)

  • Poet of nature, memory, childhood, and the common man

  • Poetry defined as “the spontaneous overflow of powerful feelings

  • Works: The Prelude, Tintern Abbey, Lyrical Ballads

๐Ÿ”น Samuel Taylor Coleridge (1772–1834)

  • Poet of imagination and supernatural

  • Developed theory of Primary and Secondary Imagination

  • Works: The Rime of the Ancient Mariner, Kubla Khan, Biographia Literaria

๐Ÿ”น Lord Byron (1788–1824)

  • Rebel poet; creator of the Byronic Hero

  • Works: Childe Harold’s Pilgrimage, Don Juan, Manfred

๐Ÿ”น Percy Bysshe Shelley (1792–1822)

  • Revolutionary idealist poet

  • Believed poets are “unacknowledged legislators of the world

  • Works: Ode to the West Wind, Prometheus Unbound, Adonais

๐Ÿ”น John Keats (1795–1821)

  • Poet of beauty and sensuous imagination

  • Coined idea of Negative Capability

  • Works: Ode on a Grecian Urn, Ode to a Nightingale, Endymion


๐ŸŒฑ Early & Minor Romantic Poets

๐Ÿ”น William Blake (1757–1827)

  • Bridge between Pre-Romanticism and Romanticism

  • Mystical, symbolic, visionary poet

  • Works: Songs of Innocence and Experience, The Tyger, Jerusalem

๐Ÿ”น Robert Southey (1774–1843)

  • One of the Lake Poets

  • Appointed Poet Laureate

  • Works: Thalaba the Destroyer, Joan of Arc

๐Ÿ”น Leigh Hunt (1784–1859)

  • Essayist, critic, and poet

  • Encouraged young Romantic writers

  • Work: The Story of Rimini

๐Ÿ”น Thomas Moore (1779–1852)

  • Irish Romantic poet

  • Known for lyrical melody

  • Works: Irish Melodies

๐Ÿ”น Walter Savage Landor (1775–1864)

  • Known for classical elegance and dialogues

  • Work: Imaginary Conversations


๐Ÿ“– Romantic Novelists

๐Ÿ”น Sir Walter Scott (1771–1832)

  • Founder of the historical novel in English

  • Romanticized medieval history

  • Works: Waverley, Ivanhoe, Rob Roy

๐Ÿ”น Jane Austen (1775–1817)

  • Often called a novelist of manners, not a pure Romantic

  • Focused on realism, social life, and irony

  • Works: Pride and Prejudice, Sense and Sensibility, Emma

๐Ÿ”น Mary Shelley (1797–1851)

  • Pioneer of science fiction and Gothic novel

  • Work: Frankenstein


๐Ÿ–‹️ Romantic Prose Writers & Essayists

๐Ÿ”น Charles Lamb

  • Intimate, personal essays

  • Work: Essays of Elia

๐Ÿ”น William Hazlitt

  • Literary critic and essayist

  • Works: The Spirit of the Age, Characters of Shakespeare’s Plays

๐Ÿ”น Thomas De Quincey

  • Confessional prose

  • Work: Confessions of an English Opium-Eater


๐Ÿ“š Romantic Critics & Thinkers

๐Ÿ”น Coleridge

  • Developed Romantic literary criticism

  • Biographia Literaria is a key Romantic critical text

๐Ÿ”น Hazlitt

  • Emphasized sincerity, imagination, and passion in literature


๐Ÿ“Œ Romantic Poetry vs Neo-Classical Poetry

Neo-Classical AgeRomantic Period
ReasonEmotion
Rules & orderFreedom & imagination
ImitationOriginality
Urban themesNature & rural life
AristocracyCommon man

๐Ÿง  Importance of the Romantic Period

  • Revolutionized poetic expression

  • Established subjective poetry as central

  • Expanded themes of nature, self, freedom, and beauty

  • Influenced Victorian, Modern, and even contemporary literature

๐ŸŒธ Romantic Age (1798–1837) – MCQs with Answers

1. The Romantic Age in English literature officially begins with the publication of:

A. Lyrical Ballads
B. Preface to Shakespeare
C. The Prelude
D. Songs of Innocence

Answer: A. Lyrical Ballads


2. Lyrical Ballads (1798) was jointly written by:

A. Wordsworth and Coleridge
B. Wordsworth and Shelley
C. Coleridge and Keats
D. Shelley and Byron

Answer: A. Wordsworth and Coleridge


3. Who wrote the Preface to Lyrical Ballads (1800)?

A. Coleridge
B. Wordsworth
C. Hazlitt
D. Keats

Answer: B. Wordsworth


4. According to Wordsworth, poetry is:

A. Imitation of nature
B. Overflow of imagination
C. Spontaneous overflow of powerful feelings
D. Expression of moral ideas

Answer: C. Spontaneous overflow of powerful feelings


5. Which poem is subtitled “Growth of a Poet’s Mind”?

A. Tintern Abbey
B. The Prelude
C. The Excursion
D. Immortality Ode

Answer: B. The Prelude


6. Coleridge’s concept of “willing suspension of disbelief” appears in:

A. Kubla Khan
B. The Ancient Mariner
C. Christabel
D. Biographia Literaria

Answer: D. Biographia Literaria


7. Which poem begins with “It is an ancient Mariner”?

A. Christabel
B. Kubla Khan
C. The Ancient Mariner
D. The Prelude

Answer: C. The Ancient Mariner


8. Who among the following is a Lake Poet?

A. Byron
B. Shelley
C. Keats
D. Wordsworth

Answer: D. Wordsworth


9. Lord Byron is associated with which type of hero?

A. Classical hero
B. Epic hero
C. Byronic hero
D. Tragic hero

Answer: C. Byronic hero


10. Don Juan is written in:

A. Blank verse
B. Heroic couplet
C. Spenserian stanza
D. Ottava rima

Answer: D. Ottava rima


11. Ode to the West Wind consists of:

A. 3 stanzas
B. 4 stanzas
C. 5 stanzas
D. 7 stanzas

Answer: C. 5 stanzas


12. The line “If Winter comes, can Spring be far behind?” is from:

A. Ode to a Nightingale
B. Ode to the West Wind
C. Prometheus Unbound
D. Adonais

Answer: B. Ode to the West Wind


13. John Keats believed poetry should:

A. Instruct morally
B. Reform society
C. Come naturally, without effort
D. Follow classical rules

Answer: C. Come naturally, without effort


14. Keats explained Negative Capability in a letter written to:

A. Shelley
B. Leigh Hunt
C. George and Tom Keats
D. Wordsworth

Answer: C. George and Tom Keats


15. Which of the following is NOT a Romantic poet?

A. Blake
B. Gray
C. Keats
D. Shelley

Answer: B. Gray


16. William Blake’s Songs of Innocence and Experience presents:

A. Political satire
B. Religious doctrine
C. Two contrary states of the human soul
D. Pastoral romance

Answer: C. Two contrary states of the human soul


17. Kubla Khan is best described as:

A. Epic poem
B. Narrative ballad
C. Visionary fragment
D. Satirical poem

Answer: C. Visionary fragment


18. Who wrote Adonais?

A. Byron
B. Keats
C. Shelley
D. Wordsworth

Answer: C. Shelley


19. Romantic poetry mainly emphasizes:

A. Reason and logic
B. Social realism
C. Imagination and emotion
D. Classical restraint

Answer: C. Imagination and emotion


20. Which Romantic poet is called a “poet of beauty”?

A. Wordsworth
B. Byron
C. Shelley
D. Keats

Answer: D. Keats


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