Showing posts with label Augustan Age. Show all posts
Showing posts with label Augustan Age. Show all posts

Monday 22 2025

Augustan Age in English Literature (1700–1745): Writers, Works & Features

 Explore the Augustan Age (1700–1745) in English literature: major writers, works, satire, heroic couplet, and the rise of the English novel.

Augustan Age in English Literature (1700–1745): Writers, Works & Features

✍️ Introduction (SEO-friendly)

The Augustan Age in English literature (1700–1745) is one of the most significant periods in literary history, often called the Golden Age of Satire and Prose. Named after Augustus Caesar’s Rome, this age reflected order, balance, reason, and imitation of classical ideals. Writers like Alexander Pope, Jonathan Swift, Joseph Addison, Richard Steele, and Daniel Defoe shaped this era with their mastery of satire, essays, and the rise of the modern English novel. The Augustan Age also marked the growth of periodicals, journalism, coffee-house culture, and middle-class readership, making literature more social, realistic, and accessible.

📌 

  • The Augustan Age in English literature roughly spans 1700–1745.

  • Named after Augustus Caesar’s reign in Rome, when literature (esp. poetry) flourished.

  • Writers compared themselves to classical authors like Horace, Virgil, Ovid, and Juvenal.

  • It is the second phase of the Neoclassical Age, following the Restoration Age.

1. Political Context

  • The age coincides with the reigns of:

    • William III & Mary II (till 1702) → end of the Restoration Age.

    • Queen Anne (1702–1714) → last of the Stuarts.

    • George I (1714–1727) and George II (1727–1760) of the Hanoverian dynasty.

  • Rise of constitutional monarchy after the Glorious Revolution (1688).

  • Whigs vs. Tories → strong political rivalry; literature often reflected party politics.

  • Robert Walpole (Whig leader) became the first de facto Prime Minister of Britain.

2. Social Context

  • Growth of the middle class due to trade, commerce, and industry.

  • Expansion of coffee houses and clubs (like Button’s, Scriblerus Club, Kit-Cat Club) as centers of discussion, culture, and literary criticism.

  • Urbanization – London became the hub of social, political, and literary activity.

  • Increasing literacy rates → higher demand for newspapers, magazines, and books.


3. Economic Context

  • Development of commerce, banking, and trade (both domestic and colonial).

  • England became a global naval and colonial power.

  • Rise of print culture → books, pamphlets, and journals became cheap and accessible.

  • Patronage system declined → writers now catered to a wider reading public.


4. Religious Context

  • Continued tension between Protestants and Catholics.

  • Act of Settlement (1701) secured Protestant succession.

  • Religion was often discussed in sermons, pamphlets, and essays, but the age emphasized reason over religious passion.


5. Intellectual & Cultural Context

  • The Age of Reason / Enlightenment in Europe influenced English thought.

  • Stress on logic, balance, order, rationalism (inspired by classical ideals).

  • Literature often imitated Latin writers of Augustus’s Rome (Horace, Virgil, Ovid).

  • Development of journalism (The Tatler 1709, The Spectator 1711).

  • Growth of satire as a literary tool to expose corruption, folly, and vanity.


📌 Major Characteristics

  1. Imitation of Classical Writers – Order, decorum, balance, clarity.

  2. Satire – To correct society’s follies (The Rape of the Lock, The Dunciad).

  3. Didacticism – Literature meant to teach and moralize.

  4. Rise of Prose & Journalism – Essays, periodicals, letters flourished.

  5. Growth of Novel – Early forms of realistic fiction began.

  6. Poetry – Heroic couplet dominant; mock-epic style popular.

  7. Rationalism & Realism – Focused on reason, common sense, and social life.






📚 Important Writers & Works of the Augustan Age (1700–1745)


🖋️ Poetry

Alexander Pope (1688–1744) – Chief poet of the age, master of the heroic couplet.

  • An Essay on Criticism (1711)

  • The Rape of the Lock (1712, 1714 – final version)

  • Epistle to Dr. Arbuthnot (1735)

  • Essay on Man (1733–34)

  • The Dunciad (1728, revised 1743)

  • The Epistles (Moral Essays)

Jonathan Swift (1667–1745) – Known more for prose, but also wrote verse satire.

  • A Description of a City Shower

  • Verses on the Death of Dr. Swift

Matthew Prior (1664–1721) – Poet of light verse and lyrics.

  • Solomon on the Vanity of the World

  • Henry and Emma

Edward Young (1683–1765) – Graveyard poet precursor.

  • Love of Fame (1725–28)

  • Night Thoughts (begun 1742)

Lady Mary Wortley Montagu (1689–1762)

  • Turkish Embassy Letters (written during her travels; proto-feminist voice).

  • Poems and epistles.


📖 Prose / Satire / Essays

Jonathan Swift

  • A Tale of a Tub (1704)

  • The Battle of the Books (1704)

  • Gulliver’s Travels (1726) – political/social satire.

  • The Drapier’s Letters (1724)

Joseph Addison (1672–1719)

  • The Campaign (1704) – poem

  • The Tatler (with Steele, 1709)

  • The Spectator (1711–12, 1714)

Richard Steele (1672–1729)

  • Founded The Tatler (1709)

  • Co-founded The Spectator (1711)

  • The Guardian (1713)

Daniel Defoe (1660–1731)

  • Robinson Crusoe (1719)

  • Moll Flanders (1722)

  • Captain Singleton (1720)

  • A Journal of the Plague Year (1722)

  • Roxana (1724)

Samuel Richardson (1689–1761) – Father of the English Novel.

  • Pamela, or Virtue Rewarded (1740)

  • Clarissa (1748 – just after Augustan Age, but important)

George Berkeley (1685–1753) – Philosopher.

  • Principles of Human Knowledge (1710)


🎭 Drama

Drama declined during this age (because of Puritan restrictions earlier + rise of prose), but a few works stand out:

John Gay (1685–1732)

  • The Beggar’s Opera (1728) – satirical ballad opera.

Colley Cibber (1671–1757) – Poet Laureate, actor-manager.

  • Love’s Last Shift (1696) – sentimental comedy.

  • The Careless Husband (1704).

Sir Richard Steele

  • The Conscious Lovers (1722) – sentimental comedy.

Nicholas Rowe (1674–1718) – Tragedian.

  • The Fair Penitent (1703)

  • Jane Shore (1714)


📜 Journalism & Periodicals

  • The Tatler (1709) – founded by Steele.

  • The Spectator (1711–12; revived 1714) – Addison & Steele.

  • The Guardian (1713).

  • The Craftsman (political paper, 1726–1752).


✅ 

  • Pope → Poetry & Satire.

  • Swift → Satire (prose & verse).

  • Addison & Steele → Essays, Periodicals (Tatler, Spectator).

  • Defoe → Early Novel (Robinson Crusoe, Moll Flanders).

  • Richardson → Sentimental Novel (Pamela).

  • John GayThe Beggar’s Opera (Drama).

  • Cibber, Steele, Rowe → Sentimental Comedy & Tragedy.


📌 Augustan Age (1700–1745)

  • Named after Augustus Caesar’s Rome → order, decorum, classical imitation.

  • Second phase of Neoclassical Age (after Restoration, before Johnson’s Age).

  • Period of Queen Anne, George I, George II → political stability.

  • Rise of Whigs & Tories; literature reflected party politics.

  • Coffee houses & clubs → centers of debate & literary culture.

  • Satire dominated → Pope & Swift were leading satirists.

  • Heroic couplet = chief verse form (perfected by Alexander Pope).

  • Literature was didactic, moral, rational, realistic.

  • Growth of journalism & periodical essays (Tatler, Spectator).

  • Drama declined → replaced by sentimental comedy & ballad opera (Beggar’s Opera).

  • Beginning of English novel → Defoe (Robinson Crusoe), Richardson (Pamela).

  • Major writers → Alexander Pope, Jonathan Swift, Addison, Steele, Defoe, Richardson, John Gay.

  • Themes → manners, morals, politics, vanity, corruption, middle-class life.

  • Age ended around 1745 with Pope’s death.


📘 MCQs 


Q1. The Augustan Age in English literature roughly spans:

A) 1660–1700
B) 1700–1745
C) 1745–1798
D) 1558–1603

Answer: B) 1700–1745
👉 It follows the Restoration (1660–1700) and ends with Pope’s death in 1744 (often rounded as 1745).


Q2. Which verse form dominated the poetry of the Augustan Age?

A) Blank verse
B) Free verse
C) Heroic couplet
D) Sonnet

Answer: C) Heroic couplet
👉 Perfected by Alexander Pope, used in Essay on Criticism, The Rape of the Lock, etc.


Q3. Who among the following is NOT an Augustan writer?

A) Alexander Pope
B) Jonathan Swift
C) John Milton
D) Daniel Defoe

Answer: C) John Milton
👉 Milton belongs to the Puritan Age (17th century), before the Augustan Age.


Q4. The Rape of the Lock is best described as:

A) A blank verse tragedy
B) A mock-epic poem
C) A sentimental comedy
D) A periodical essay

Answer: B) A mock-epic poem
👉 Written by Alexander Pope, satirizing fashionable society.


Q5. Which pair of writers is most associated with The Tatler and The Spectator?

A) Pope & Swift
B) Addison & Steele
C) Dryden & Pope
D) Gay & Cibber

Answer: B) Addison & Steele
👉 They developed the periodical essay, shaping middle-class taste.


Q6. The Beggar’s Opera (1728), a ballad opera satirizing society, was written by:

A) John Gay
B) Colley Cibber
C) Nicholas Rowe
D) Richard Steele

Answer: A) John Gay
👉 It mocked both Italian opera and political corruption.


Q7. Who is regarded as the “Father of the English Novel” in the Augustan Age?

A) Samuel Richardson
B) Daniel Defoe
C) Henry Fielding
D) Jonathan Swift

Answer: B) Daniel Defoe
👉 His Robinson Crusoe (1719) is considered the first English novel.


Q8. Which of the following works is NOT by Jonathan Swift?

A) A Tale of a Tub
B) The Battle of the Books
C) The Dunciad
D) Gulliver’s Travels

Answer: C) The Dunciad
👉 That’s Pope’s satire. Swift wrote the other three.


Q9. Which major prose form gained popularity in the Augustan Age?

A) Autobiography
B) Novel
C) Gothic fiction
D) Romance

Answer: B) Novel
👉 Defoe’s Robinson Crusoe and Richardson’s Pamela mark the rise of the English novel.


Q10. The Augustan Age is often called the “Golden Age of ___.”

A) Drama
B) Satire
C) Romantic poetry
D) Lyric

Answer: B) Satire
👉 Because of Pope (The Rape of the Lock, The Dunciad) and Swift (Gulliver’s Travels).


✍️ Conclusion 

In conclusion, the Augustan Age (1700–1745) represents a turning point in English literature, where wit, reas on, and satire became dominant forces. From Pope’s heroic couplets and Swift’s biting satire to Addison and Steele’s moral essays and Defoe’s realistic novels, this age laid the foundation for modern English prose and fiction. By blending classical inspiration with contemporary social commentary, the Augustan writers created works that continue to influence literature and thought today.

#AugustanAge #EnglishLiterature #NeoclassicalAge #AlexanderPope #JonathanSwift #Satire #RiseOfNovel #LiteraryHistory

Thursday 10 2025

Sir Richard Steele: Father of the Periodical Essay and Voice of Morality in the Augustan Age

 Explore the life and works of Sir Richard Steele, co-founder of The Tatler and The Spectator, pioneer of the periodical essay, and a major voice in 18th-century English literature.


Richard Steele

✍️ Introduction:

Sir Richard Steele (1672–1729) stands tall among the great minds of 18th-century English literature. Best known for co-founding The Tatler and The Spectator with his close friend Joseph Addison, Steele played a pivotal role in shaping modern journalism and essay writing. As a witty essayist, moralist, and dramatist, Steele used his pen not only to entertain but also to educate the rising middle class in London. Through his periodical essays, he brought attention to the importance of virtue, politeness, and emotional sensitivity in everyday life.

Steele’s creation of the pseudonym Isaac Bickerstaff and his engaging prose style made The Tatler a household name. Later, in collaboration with Addison, he launched The Spectator, which further elevated the moral tone of public discourse while blending wit with wisdom. His essays explored the lives and manners of common people, and characters like Sir Roger de Coverley became iconic representations of English gentlemanliness.

In addition to his journalism, Steele was a talented dramatist. His play The Conscious Lovers is a hallmark of sentimental comedy, emphasizing honesty and virtue over the artificial wit of earlier Restoration dramas. Steele’s legacy lies not only in his sharp insights but also in how he pioneered a more human, relatable form of writing.

Whether you're preparing for UGC NET English, studying the Augustan Age, or exploring English essayists, Richard Steele’s contributions remain essential. In this post, we’ll dive into his life, works, literary style, collaborations with Addison, and his lasting impact on English literature.




📘 Sir Richard Steele (1672–1729)

🧠 Key Facts:

  • Born: 1672, Dublin, Ireland

  • Died: 1729, Carmarthen, Wales

  • Profession: Essayist, playwright, politician, and journalist

  • Famous For: Co-founding the famous periodicals The Tatler and The Spectator


📰 Major Works & Contributions:

1. The Tatler (1709)

  • Co-founded by Richard Steele, later joined by Joseph Addison

  • Focused on social commentary, manners, literature, and politics

  • Written under the pseudonym Isaac Bickerstaff

2. The Spectator (1711)

  • Co-founded with Joseph Addison

  • Introduced the character Mr. Spectator, a quiet observer of society

  • Aimed to instruct and entertain, especially the rising middle class

  • Famous line: "To enliven morality with wit, and to temper wit with morality"

3. The Guardian (1713)

  • Another periodical launched by Steele


🎭 Plays:

  • The Conscious Lovers (1722)

    • A sentimental comedy that replaced the old Restoration wit with virtue and emotion

    • Marked the rise of sentimental drama in 18th-century theatre

  • The Funeral (1701), The Lying Lover (1703), and The Tender Husband (1705)


📌 Themes in Steele’s Work:

  • Morality blended with wit and humor

  • Emphasis on virtue, good conduct, and politeness

  • Sentimentalism in drama

  • Interest in daily life, manners, and the rising middle class


🤝 Steele & Addison:

  • Long-time friends and collaborators

  • Steele was more emotional and lively; Addison more polished and restrained

  • Their combined essays shaped modern English prose style


MCQs on Sir Richard Steele

1. Who co-founded The Tatler in 1709?

A. Samuel Johnson
B. Joseph Addison
C. Richard Steele
D. Alexander Pope
Ans: C. Richard Steele


2. What was the pseudonym used by Steele in The Tatler?

A. Mr. Spectator
B. Censor Morum
C. Isaac Bickerstaff
D. Mr. Addison
Ans: C. Isaac Bickerstaff


3. Which periodical was co-founded by Steele and Addison in 1711?

A. The Rambler
B. The Spectator
C. The Examiner
D. The Observer
Ans: B. The Spectator


4. What genre is Steele’s play The Conscious Lovers?

A. Tragedy
B. Farce
C. Restoration comedy
D. Sentimental comedy
Ans: D. Sentimental comedy


5. Which of the following was NOT written by Steele?

A. The Funeral
B. The Lying Lover
C. The Tender Husband
D. Cato
Ans: D. Cato (written by Addison)


6. What was the main aim of The Spectator?

A. Promote party politics
B. Entertain the upper class only
C. Blend wit with morality
D. Criticize the monarchy
Ans: C. Blend wit with morality


7. Who was Steele’s closest literary collaborator?

A. Jonathan Swift
B. Daniel Defoe
C. Joseph Addison
D. Alexander Pope
Ans: C. Joseph Addison


8. In which year was The Tatler first published?

A. 1711
B. 1709
C. 1713
D. 1701
Ans: B. 1709


9. Which of these is a character in The Spectator essays?

A. Mr. Bickerstaff
B. Sir Roger de Coverley
C. Gulliver
D. Sir Fopling Flutter
Ans: B. Sir Roger de Coverley


10. Steele’s writing is best known for combining:

A. Tragedy and politics
B. Satire and fantasy
C. Morality and humor
D. Allegory and adventure
Ans: C. Morality and humor


11. What social class did Steele aim to influence through his essays?

A. Aristocracy
B. Clergy
C. Working class
D. Middle class
Ans: D. Middle class


12. What was the tone of Steele’s essays in The Spectator?

A. Serious and formal
B. Satirical and ironic
C. Light, moral, and conversational
D. Violent and aggressive
Ans: C. Light, moral, and conversational


13. What is considered Steele’s most successful play?

A. The Lying Lover
B. The Funeral
C. The Conscious Lovers
D. The Tender Husband
Ans: C. The Conscious Lovers


14. Steele served as a Member of:

A. The House of Commons
B. The Privy Council
C. The Royal Court
D. The Church of England
Ans: A. The House of Commons


15. Steele’s essays often focused on:

A. Politics and warfare
B. Colonial expansion
C. Domestic life and manners
D. Supernatural events
Ans: C. Domestic life and manners


16. Steele's The Lying Lover was innovative because:

A. It was written in blank verse
B. It combined comedy with morality
C. It attacked the monarchy
D. It was written in Latin
Ans: B. It combined comedy with morality


17. Steele and Addison’s collaboration helped shape:

A. The sonnet tradition
B. The picaresque novel
C. Modern English prose
D. Romantic poetry
Ans: C. Modern English prose


18. The term “coffeehouse culture” is associated with:

A. Romanticism
B. Restoration drama
C. Augustan age and periodical essays
D. Gothic fiction
Ans: C. Augustan age and periodical essays


19. Steele's periodical writing aimed to:

A. Instruct the elite
B. Challenge religion
C. Educate and entertain the public
D. Promote theatrical performances
Ans: C. Educate and entertain the public


20. Steele is credited with helping popularize:

A. The heroic couplet
B. The Gothic novel
C. The periodical essay
D. The tragicomedy
Ans: C. The periodical essay


🔚 Conclusion :

Sir Richard Steele was much more than a witty writer—he was a reformer who used literature as a tool for social improvement. By co-creating The Tatler and The Spectator, Steele gave rise to the periodical essay, a genre that reached beyond the elite and engaged the emerging middle class. His keen moral vision, combined with engaging storytelling, helped shape the English essay as both an art form and a medium of public influence.

Steele's collaboration with Addison showcased the power of friendship and intellectual partnership in literature. While Addison often brought polish and subtlety, Steele added warmth, humor, and heart. Together, they created essays that are still admired for their clarity and relevance.

His plays, especially The Conscious Lovers, introduced sentimental comedy, focusing on emotional truth rather than theatrical extravagance. His influence continues in modern journalism, where the personal essay and moral reflection are still valued forms.

In remembering Sir Richard Steele, we celebrate a writer who made literature more accessible, meaningful, and humane. His voice still resonates through the corridors of literary history and continues to inspire writers and thinkers alike.


Tags:

  • Richard Steele

  • The Tatler

  • The Spectator

  • Joseph Addison

  • Sentimental Comedy

  • Isaac Bickerstaff

  • English Essayists

  • 18th Century Prose

  • Literature MCQs

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